1949-2000-新中国舞蹈史-(英译本)

内容简介

     《新中国舞蹈史(1949-2000英译本)》由冯双白所著，本书在大量史料的基础上，分析了1949～2000
年中国舞蹈艺术的历史发展轨迹，以重大的舞蹈历史事件作为历史分期的依据，分六章梳理了中华人民共和国之舞蹈艺术在事业概貌、创作收获、舞种沿革、杰出人物、重大组织活动等方面的基本历史现象，并且以整个中国原始舞蹈和封建社会舞蹈的发展为参照坐标，提出了新中国舞蹈是对中国女乐舞蹈文化和民间自娱歌舞文化的革命性转变，其历史本质是建立一种真正意义上的创作艺术，其发展方向是建立21世纪的独立自主的艺术美学表现体系。
    
《新中国舞蹈史(1949-2000英译本)》适合对舞蹈艺术感兴趣者及相关研究者阅读。

目录

Chapter I The Dance Foundation of the Republic of China (1949-957)
Section One Wind Blew from Fields
I. First Glimmer of Dawn
II. Rural-urban Symphony with Red Silk and Waist Drum
Section Two Transition between North China and South China
I. Transition Tide of Song and Dance Troupes
II. Artistic Exploration of New Roads
Section Three Elite Education
I. A Lotus with two Blossoms on one Stalk-dance Movement and Dance
Research
II. Preliminary Construction of the Beijing Dance School
m. A Violent Death of Pegasus
Section Four Three Legs of a Tripod
I . Refined Art from Folk Dance
II. Classical Dance from New Methods and Drama
III. The Pluralistic Troop's Dance
Section Five Preliminary Study on Drama Dance
Chapter II The Rise of Folk Dance Culture (1958q965)
Section One Rooted in the Fertile Soil
I. Flowers Blooming over the Land of Folk Dance
II. Archaic Style, Great Men
Section Two The Foundation of Dance Dramas
Chapter III The Ebb and Flow during the Cultural Revolution (1966-1976)
Section One An Awful Distortion
I. "Revolutionary Model Operas" in Unprecedented Popularity
II. "Class Struggle" Guided the Dance Creation
Section Two A Creeping Undercurrent
I. Ballet Produced Another Harvest
II. Small Works Took Flight
Chapter IV Dethronement of the Classic Paradigm (1976-1989)
Section One Revival of the Elegant Art
I. The Dance of New Era
II. The Upsurge of Antique Styled Dance
m. The Classical Dance again Favored Ancient Customs
Section Two Cultural Revival
I. The Awaking of Dance and Cultural Consciousness
II. The Local Styled Song-dance Came into Being
Section Three A Tradition Breakthrough
I. The Change of Dance Language Style
II. The Change of Dance Ideology
Chapter V The Prosperity of the Art of Dance (1980-2000)
Section One The Charm of Ballet
Section Two The Thrust of Literature
Section Three The Impetus of Original Creations
Chapter VI Manifestation of the Main Consciousness (1990-2000)
Section One The Deconstruction of the Classical
I. The Deconstruction of the Neoclassicism
II. The Aesthetics of Chinese Classical Dance
Section Two A Parse of the Folk Dance
I. A Breakthrough of Dance Drama of Han Chinese People
II. A Bumper Harvest of the Minority Theatres
Section Three Named after the Contemporary
Section Four The Modem Tide Rises
I. The Exploration on Takes Doctrine
II. Independent Character, Local Integration
Section Five The Construction of Dancology
I. The C