英国浪漫主义诗歌创作与新的阅读伦理和出版体制关系研究

内容简介

《英国浪漫主义诗歌创作与新的阅读伦理和出版体制关系研究》适合相关文学研究者和外国文学爱好者阅读，也可供文学专业研究生拓宽视野、获得新鲜文史材料与研究视点使用。

目录

前言
Introduction
Chapter 1 Characteristics and changes of the publishing system
1.1 Background of printing press and puhlishing industry
1.2 Changes of intellectual property
1.3 New development in the 19th century
Chapter 2 Reading public, reading nation and reading ethnics
2.1 The configuration of the mass readership
2.2 The coming of the reading nation
2.3 Romantic audiences in the eyes' of poets
2. 4 The characteristics of the new reading ethnics
Chapter 3 Romantic poets' attitudes towards reading public and reading ethnics
3.1 Wordsworth's attitude towards reading masses
3. 2 Hazlitt's public opinion and poetic principle
3.3 Keats' figuring reading public
3.4 Lamb's view of reading and criticism
Chapter 4 Poetry composition of the romantic poets under the new reading ethnics
4.1 Byron's writing and the Romantic curious readers
4. 2 Coleridge's figuration of reader in conversation poems
4.3 Wordsworth's perpetuity and Wordsworthian audience
4. 4 Keats's posthumous writing and Romantic postpone of fame
Bibliography
后记

摘要与插图

Byron'sfriendsandrivalswerenotfreefromfinancialworriesandtheanxietyaboutsocialladdersinpoetrycompositionandinthelegacyofliterature.Byronhimselfhadbeenobsessedwithliteraryfamefromthemomentthathebegantotakehispoetryseriously.TheRomanticvulgarityofseducingreaderwasbelittledbysomebutpracticedbymany.Byronwouldnotbefreefrommereconventionality.In1807hehadsuggestedintheprefacetoHoursofIdlenessthathewouldbecontentwith"aposthumouspageinthe'CatalogueofRoyalandNobelAuthors'".Heoncedepictedhimselfasa"manwhoseworksarepraisedbyReviews,admiredbyDuchesseandsoldbyeverybookselleroftheMetropolis…IneveryBookseller'sIseemyownname,andsaynothing,butenjoyingmyfameinsecret."Hislamentonhisfadingandexpiringnameonlycameafterthelargelypositive,generallyprearrangedinitialreviewsofHoursofIdlenessgivingwaytomuchharshcritiques.Therefore,Byronwouldratherpublishhisfirstlongervolumeanonymouslytoavoidcommittingadoubleblunder.　EnglishBardsisasatiricalpoemwhichwasfirstpublished,anonymously,inMarch1809,andasecond,expandededitionfollowedin1809,withByronidentifiedastheauthor.TheopeningparodiesthefirstsatireofJuvenal.AsforthesignificanceofthispoeminByron'scareer,itmustbemeasuredfrommultipledimensions.Thepoetindeedmadeenemieswiththepublicationofit.Butitwasinlargepartundertakentoforcetheliteraryworldtopayattentiontoitsauthor.Whilehewasveryangrywiththeharshreviewers,ByronwasalsogatheredthesenseoftriumphoverthecriticalestablishmentwithEnglishBards.